24 Carrots (1980)
The final record of Al Stewart's "Golden Era" makes an unbelievably strong case for being his best album to date. Released back in 1980, "24 Carrots" by Al Stewart is a masterclass in journeying through new musical styles while maintaining Al's familiar storytelling. This record is one of the biggest NSA no brainers I have reviewed so far.
The album begins with "Running Man," featuring catchy piano tunes and Stewart's distinctive voice that instantly transports you back to the '80s. The engaging lyrics make you want to sing along. It starts with a grand build-up of piano and guitar, then the electric, Santana-like guitar riff kicks in, accompanied by Bossa Nova-styled drums. The song is a rocker with a flamenco-like guitar solo and a synth-heavy blend of various elements.
"Midnight Rocks" stands out with its vivid storytelling, immersing you in a late-night rendezvous on a New York City rooftop. It's a track that lingers in your mind, featuring a killer saxophone solo and '70s-like backing harmonies in the chorus. The soft-rock vibe is capped off by an amazing saxophone and piano outro.
One of the album's highlights is "Mondo Sinistro," where Stewart's electric guitar seamlessly blends with synth melodies to create a unique rocker. The quirky and silly lyrics, delivered with Al's charm, may not grab you on the first listen but grow on you with every replay. The rhyming with “Sinistro” gets me everytime. “Weak in the knees-o, she’s so hard to resist-o, romantic twist-o, the way that they tease-o. C’mon, it’s fun.
Throughout the album, songs like "Constantinople" and "Merlin's Time" keep the momentum going. Stewart's lyrics often dive into history and mythology, adding depth to the music. The former is electric. There is definitely more testosterone on this track. Some real oomph. At times you think Al Stewart and Blue Oyster Cult collaborated on this one. Definitely inspired by but it still has the brightness and vibrance that only Al could bring. The former song puts you into medieval times. Not in the sense of chamber music, which is very tough to listen to (*cough**cough* Sting). But Merlin’s Time delivers great backing harmonies, delicate guitar playing, and has a sense of mysticism about it that only could go hand in hand with Merlin himself.
"Murmunsk Run/Ellis Island" retains Al's signature sound, transitioning seamlessly between song sections, showcasing mesmerizing musicianship. "Rocks In the Ocean" brings back a 3/4 time signature with accordions, gorgeous violin, and Hammond organs, leading to one of Al's best solo outros. A perfect song for a Waltz.
“Paint by Numbers" takes on an '80s hard rock vibe while maintaining Al's class. Once again feeling much like Blue Oyster Cult. "Optical Illusion" softens the tone with acoustic strumming and picking, accompanied by light piano. An enchanting flute solo adds a contemporary yet Al Stewart-esque touch.
“Candy Came Back" kicks off with a memorable guitar riff and a great shuffle beat. A killer saxophone solo gives it a Bruce Springsteen-like holiday vibe. If you know, you know. "The Ringing of Bells" is smooth and shuffly, with smooth saxophone and piano interplay. It's mid-tempo, and the Pink Floyd Dark Side-like organs provide a rich background, along with one of the smoothest sax solos you'll find on an Al record.
"24 Carrots" is an outright gem that showcases Al Stewart's songwriting at its best. Whether you're a fan of '80s pop rock or simply appreciate well-crafted music, this album is a must-listen. Kick back, relax, and let "24 Carrots" take you where you want to go.
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Highlight Songs:
Running Man
Candy Came Back
Midnight Rocks
Constantinople
Honestly the whole ass album
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Own it, Stream it, Forget about it?
Own it. It’s simple. Stream the hell out of it then buy it as SOON as you can. My favorite Al Stewart album so far. Run to the store. Go go go!
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Overall Rating:
5 Stars
