Down In The Cellar (2000)

Al Stewart's "Down In The Cellar" album is a unique and interesting project. Each track is thematically cohesive with one another, mostly speaking towards Al’s love for both wine and history. The record isn’t the loud, bigger band production we have been used to, rather more stripped back and acoustic. There is still a lot of backing music going on here so don’t get misconstrued that this will be another “Between the Wars” or “Rhymes in Rooms” record.

“Waiting for Margeaux” opens with great rhythmic drumming and jazzy piano playing. Its playful yet sophisticated instrumental breaks are top tier in quality and I cannot recommend it enough. “Tasting History” stands out as potentially the best track on the record. With reverbed guitars and clean musicality, it is tough not to sway to this one.

“Down in the Cellars” takes a downtempo turn with a gorgeous and captivating long guitar intro, providing the perfect ambiance for a rainy day and a cup of coffee. The slowed tempo allows focus on the lyrics and Al’s skillful guitar playing. “Turning it into Water” picks up the energy with a driving drum beat, strings, and piano, featuring that classic Al Stewart sound. The track shows his appreciation for wine, contributing to the album’s thematic cohesiveness. Boy, does Al love his wine.

“Soho” offers a more renaissance-like musical feel, highlighting Al’s vocals and guitars. It really holds your attention and it is simply just nice to sit back and listen to. “The Night That the Band got the Wine” throws a bouncey sing-along track to the mix, reminiscent of later Beatles, while maintaining a unique Al Stewart touch. It doesn’t have the whimsy or the psychedelia of late Beatles, but this track does capture its essence.

“Millie Brown” may be musically agreeable, but the chorus hook I find to be divisive. While fitting aesthetically, I consider it skippable .. One may say that it’s catchy, but I honestly find it a tad annoying. “Under a Winestained Moon” blends folk and blues, showcasing a well-balanced fusion of genres and sonic aesthetics. Those guitar solos really amplify the bluesy style of the track. “Franklin’s Table” explores a historical theme, speaking of Benjamin Franklin. It provides a colonial feel that, while may grow on me with every listen, might not be the most memorable track on the album.

“House of Clocks” introduces fantastic guitar hooks and a mid-tempo dreamy feel. It’s rich, attention holding and dare I say has a bit of Spanish flair? “Sergio” delves deeper into the theme of wine with amazing piano solos and accordion playing. Time after time I am amazed by Al Stewart’s unique ability to incorporate the accordion so seamlessly and appropriately into his music.

“Toutes Les Etoiles” is a bilingual track with a classic French pop sound. I admire its ambition and style, but it may not resonate strongly with everyone. I don’t quite hit the mark for me. “The Shiraz Shuffle” offers a down-tempo, short shuffle with a hint of a Toy Story-like feel, creating a nice atmospheric moment within the album.

“Dark Side” feels like a bonus track with enhanced production, featuring electronic drums and a late 80s vibe. I really love the eerie atmosphere and all of the musical accents added to this track. Oh, and that saxophone .. really turns this one into something special. “Belsize Blues,” is one we all know and love. A familiar track from Year of the Cat, re-recorded live in the studio, wraps up the album with the timeless charm we all know and love from Al.

It’s not a perfect album by any means but it’s definitely one of Al’s most obvious “concept” albums. Al captures his love for wine and history on each and every track on this record. While not quite all of them hit the mark, there is much to love and take from this album.

———————————————

Highlight Songs:

  • Tasting History

  • House of Clocks

  • Waiting for Margaux

  • Dark Side

———————————————

Own it, Stream it, Forget about it?

You could get away with just streaming this record, although I do not believe at all that it should be skipped. If you throw this record on during are charcuterie night and just letting it play, you have an incredible atmosphere. Own it. Stream it. Just don’t skip it.

———————————————

Overall Rating:

3.5 Stars

Previous
Previous

Between The Wars (1995)

Next
Next

A Beach Full of Shells (2005)