Blue Moves (1976)

Blue Moves is Elton’s first double album since Goodbye Yellow Brick Road. It explores a diversity in musical styles, from gospel-like ballads to jazz lounge tunes and dance-rock fusion. It’s evident that the record showcases Elton’s versatility and knack for experimenting. Some tracks, though, might be a bit lengthy and or lack immediate replay value. This raises an interesting point about the balance between artistic exploration and listener accessibility. That balance between this exploration and listener engagement can influence the perception of the whole album.

The record opens with Your Starter for... A brief instrumental introduction that sets the tone for the record. While it may feel too short, its style effectively foreshadows the musical diversity to come. Tonight follows next and is a cinematic ballad with nuanced beauty that grows over time. Its lack of a catchy chorus makes it less accessible initially, but its emotive qualities become more apparent with repeated listens. The first half of the song is a literal composition of big and grand classical music.

One Horse Town picks the energy up. It’s a bluesy and upbeat track, slightly lengthy but a welcomed contrast. While it lacks a strong memorable element, its pleasant harmonies and pacing contribute to the album's overall diversity. Chameleon brings things back down in Elton's signature ballad style with pleasant harmonies and pacing. Though it doesn't reinvent anything, its great backing harmonies and pleasant pacing provide a solid listening experience.

Boogie Pilgrim is one of my favorites from the record. Some might say it’s an album only track, but I think it’s a standout jazzy and funky gem, despite its extended length. Its infectious groove makes it a memorable addition to the album. It goes just a little long, but there are more serious offenders of this later on in this record.

Cage the Songbird is very pretty, but a slower tempo track that, while beautiful, may not leave a lasting impression compared to other songs on the album. On the other hand, Crazy Water is another one of my standout tracks. It significantly ups the pace of the record. Super funky bass lines and great energy make it one of my favorites, though its length might go on a tad too long. I won’t complain too much as it’s a fun track. Back to back favorites with Shoulder Holster immediately following. Another great standout track with a great horn line. The balance of genres, including horns, saxophone, funk, and jazz, makes it a dynamic addition to the record.

Beginning the second disc of the record comes the single Sorry Seems to Be the Hardest Word. A timeless classic, poignant and beautiful, adding depth to the record. Elton's emotive vocals and soulful lyrics create an emotional resonance that sets it apart. Out of the Blue is THE standout instrumental of the record. A great balance of genres and dynamic musicianship. The balance of funk, rock, and jazz is spectacular. Totally unexpected from the Pinball Wizard here, but I was blown away the first time listening to this one a while ago.

Between Seventeen and Twenty maintains some similar energy. An upbeat track that exudes a liveliness that sets it apart on the album. Elton John’s dynamic vocals and the spirited composition capture the essence of the transitional phase between youth and adulthood. Gotta love that Hammond organ!

The Wide-Eyed and Laughing is stylistically divergent from Elton’s previous works. This track introduces a unique flavor, notably with the incorporation of the sitar. While it may require a few listens to fully appreciate, the song has grown on me greatly over time. Its slower tempo and spacious quality contribute to a captivating atmosphere that manages to hold my attention throughout. Elton’s vocals shine exceptionally bright in this distinctive and evolving piece. On online reviews especially, this song doesn’t get nearly enough love.

Someone's Final Song is a musically beautiful ballad with some really dark and depressing lyrics, and sadly it is a tad forgettable. Being the story of someone’s final words in a note to a loved one definitely hit the heart strings, but not necessarily in the best way. However, Elton’s vocals and the backing vocals are incredible and emotional.

Where's the Shoorah? is a softer gospel like ballad on the record. It is very pretty, but it doesn’t beg for many replays. Once again however, Elton’s vocals and the backing choir are gorgeous. If There's a God in Heaven (What's He Waiting For?) immediately hits with those Hammond organs. It is a nice pick up of pace after a series of ballads. If you’re doing a full album listen then this track is not worth skipping, but it’s not the standout that it should be. Musically it is interesting enough to tap your feet and sing along, but once it’s over you might forget about it all together. Although, the more and more I listen to it, the more I enjoy it…

Idol continues to be the biggest surprise for me on this record upon re-listening. A jazz lounge-inspired standout with incredible vocals and sultry saxophone. Among the best on the record, its soft, smooth, and somewhat sexy qualities make it a real standout track. Theme from a Non-Existent TV Show is an oddly placed interlude. While not a standout on its own, it bridges and flows well into the albums closer. Bite Your Lip (Get Up and Dance!), a lively fusion of dance, rock 'n roll, and gospel, though its length may test patience. Despite obvious repetitiveness, it remains a real fun and infectious party anthem. Great choice to end the album with this one.

While Blue Moves boasts standout moments and some thematic cohesion, the double album format could benefit from tightening to avoid forgettable filler. The diverse array of styles displays Elton John's musical prowess, though it doesn't quite reach the heights of some of his earlier work.

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Highlight Songs:

• Boogie Pilgrim

• Idol

• Crazy Water

• Shoulder Holster

• Out of the Blue

• The Wide-Eyed and Laughing

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Own It, Stream it, Forget about it

With standout tracks making it worth revisiting, Blue Moves is a valuable addition for Elton John enthusiasts. However, the occasional forgettable moments might make streaming a more pragmatic choice for those seeking a curated experience. It’s got great looking cover art and a cool gatefold, so aesthetically it would be a good record to own. I’ll let you decide in this one though.

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Overall Rating:

3.5 Stars