The Rootin Tootin Luton Tapes (1978/2007)

The Rootin’ Tootin’ Luton Tapes were recorded in 1978, following the bands third studio album, Dizrythmia. This compilation of demos was released to the public in 2007, offering a glimpse into the creative process behind their fourth album, Frenzy, and what later became B-Sides to a plethora of singles released in the coming years.

Among their first four records, the first edition of Frenzy, which I call Frenzy 1, ranks at number four for me due to its lack of consistency. It presents a mixture of highs and lows, and after listening to the RTL Tapes and discovering songs that were recorded at the time of Frenzy 1, I can't help but feel slightly frustrated with the songs they chose. The two-disc RTL Tapes comprises entirely new and unheard demo material on the first disc, while the second disc primarily features early demos of songs that later appeared on Frenzy 1, with a few other exceptions.

The first disc is simply remarkable, featuring some of the best Split Enz songs I have ever heard, which differ significantly from their previous albums I have reviewed. In contrast, the second disc is solid, but it becomes clear that Split Enz made some ‘wrong’ song choices for Frenzy 1. Although, they later get a second chance when re-releasing Frenzy and substituting a third of the songs for some RTL Tape demos from disc one.

Disc one begins with the energetic "Miss Haps," driven by a pulsating tom tom drumbeat and punctuated by striking piano accents. The clever wordplay of 'mishap' is very reminiscent of the current trending 'Miss Steak' meme, and adds a delightful energy. Following this, "Home Comforts" maintains the same driving tom tom drumbeat, delivering the most rock 'n' roll sound I have ever heard from Split Enz. The song's dynamism is an expected result from such creative musicians venturing into less quirky rock music.

"Animal Lover" exudes a spirited and eerie style, while "Carried Away" embraces controlled chaos in all the right ways. The track captivates with its diverse elements, including Elton John-esque speed rock piano, pounding drums, and steady guitar riffs. It's a dynamic, chaotic, catchy, and truly golden piece of music.

We must also not overlook "Semi Detached," which took me by surprise. Starting as a dramatic power ballad, it gradually builds in to a climactic, soaring rock guitar solo that left me in awe. I had no idea Split Enz had such a gem in their arsenal. Perhaps the band didn't want to deviate too far from their quirky style showcased on their first three albums on Frenzy 1, fearing a potential loss of their initial audience.

That thought must have been scrapped when some of these songs were included on Frenzy 2. The infectious shuffle beat of "Holy Smoke" follows, accompanied by Beatles-like harmonies and playful harmonica accents.

Just when you think you have a grasp of the album's overall tone, "Message Boy" bursts in with its pop-punk energy. While punk isn't my favorite genre, Split Enz delivers a commendable attempt. At first listen, "Hypnotised" left me somewhat concerned. The fantastic music and captivating verses clashed with what I initially perceived as an awkward and subpar chorus. However, after a few more listens within the context of the album, my perspective shifted, and I began to appreciate it. If you think you don't like it, you're mistaken. Give it another listen or two.

"Late In Rome" follows, presenting a beautiful Elton John-like ballad with just vocals and piano. It stands as one of the most beautiful songs ever produced by Split Enz. Similar praise can be said for "Straight Talk," which showcases harmonica accents that elevate this ¾ time song to new heights. Musically and vocally dynamic, it has become one of my personal favorites.

"Hollow Victory" slows down the pace a bit, initially driven by a gentle, slow-tempo acoustic guitar. However, it gradually builds into a compelling pop-rock anthem, grabbing your attention with its captivating chord progression and key changes. Similar to the earlier track "Holy Smoke," "Evelyn" enchants with fantastic Beatles-esque harmonies that are absolutely infectious.

So far, my praise for the record has been unwavering, but I must admit a slight disappointment with "Best Friend." After a series of near-perfect songs, we encounter the peculiar, chaotic, and somewhat goofy "Best Friend." While it grows on you after a few listens, it still could be skipped.

The final two songs of disc one, "Creature Comforts" and "Remember When," offer solid entries that provide a more mid-tempo and relaxed atmosphere, acting as pleasant palate cleansers.

At this point, I want to emphasize that disc one of the RTL Tapes, in my opinion, stands as the best of the Split Enz's discography at the moment. In terms of album rankings, it unequivocally skyrockets to the top of the list. However, since the record is a two-disc set, we cannot overlook the second disc.

Disc two, although not as strong as the first, showcases early versions of tracks featured on Frenzy 1. I remain puzzled as to why these songs were chosen over those on the first disc. I maintain my previous stance that "Hermit McDermitt" is excessively quirky, almost resembling a Dr. Seuss creation and can absolutely be skipped. The early demos of "Betty," "I See Red," "Mind Over Matter," "She Got Body," "Famous People," "Marooned," and "Frenzy" are all perfectly acceptable.

It's interesting to witness the evolution of these songs from their early stages to the final versions. However, some of them fail to capture the same magic present throughout the majority of disc one. Notably, there is an early version of "AbuDhabi," one of the standout tracks from Frenzy 1. Yet, this rendition is primarily instrumental, and the lyrics added to the final version greatly enhance its impact.

Now, let's delve into the songs on disc two that didn't make it onto Frenzy 1. "Next Exit" shines with its prominent rock piano and captivating arrangement, delivering an amazing guitar solo and instrumental break. It exemplifies the band's knack for crafting dynamic tracks that appeal to the senses. Thankfully, but unceremoniously it got a B-Side release.

Phil Judd briefly reunites with the Enz and adds two absolute scorchers to disc two. A few songs later, "So This Is Love" features a George Harrison-esque, melancholic guitar riff accompanied by gorgeous backing harmonies from the band. It is a standout track that hits all the right emotional notes brought in by Judd. Towards the end of disc two, "I'm So Up" surprises us with Split Enz's take on a 38 Special-style song. And surprisingly, it works brilliantly! It's a fantastic track that defies expectations. Three cheers for Phil Judd on bringing that one too!

Lastly, "Livin' It Up" is a short burst of punk rock 'n' roll nonsense, clocking in at just a minute and a half. While it doesn't significantly add to the album, its brevity prevents it from detracting much either.

Overall, approximately 75% of this album is sheer five-star perfection. The remaining 25% consists of the more average Frenzy 1 demos and a few oddball tracks that don't demand much attention. I'm strongly inclined to place the RTL Tapes at the top of my album rankings solely due to the brilliance of that 75%. However, I invite you to stay tuned for my final rankings when I complete my comprehensive artist review.

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Highlight Songs:

• Semi Detached

• Holy Smoke

• Carried Away

• Late In Rome

• Straight Talk

• I’m So Up

• So This Is Love

• Next Exit

• Evelyn

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Own it, Stream it, Forget about it?

Since this record is not available for streaming, you either have to buy it or pass on it. It would be beyond criminal to pass on this. I will report you and everyone you love to the authorities if you pass on this. This record is so damn Rootin’.

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Overall Rating:

4.5 Stars