57th & 9th (2016)
57th & 9th marks the return to rock music and a more traditional sound for Sting after several years of exploring different genres and oddball passion projects. The record is energetic and has a straightforward approach to rock music.
However, I must express my disappointment that the album lacked the same level of complexity and experimentation that characterized Sting's earlier work. The record feels safe and predictable, lacking the innovation and risk-taking that had made Sting's earlier albums so memorable. There is nothing wrong or offensive about any of the songs on this album, and I don’t want to go as far as saying that Sting was lazy and just walked around this record. But, it’s worth noting that musically, it is not challenging anything that hasn’t already been done a million times over, especially by musicians who have returned to the scene in their later years well past their hey-day.
57th & 9th may not be Sting's most innovative or groundbreaking work, but there are a few tracks that have some enjoyable moments and showcase his talents as a songwriter and performer. Most of which comes on the Deluxe album with the bonus tracks. That being better alternate versions to earlier songs on the record and a great Live version of the first Police song, Next To You. Whether or not this album lives up to the standards set by his earlier work is ultimately up to you and your taste and what you want out of a modern day Sting record.
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Highlight Songs:
One Fine Day
I Can’t Stop Thinking About You (LA Version)
Inshallah (Berlin Sessions Version)
Next To You (Live) ft. The Last Bandoleros
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Own it, Stream it, Forget about it?
The Deluxe is worth a listen for the bonus material, but I don’t think I’d go as far as suggesting to own it. Stream it if you’re curious, but ultimately you’re not missing out on anything groundbreaking. This record is very much so just right down the middle.
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Overall Rating:
3 Stars
